By Tom McEnaney
Based on unique archival learn in Buenos Aires, Havana, Paris, and the U.S., the booklet develops a literary media thought that is aware sound as a transmedial phenomenon and radio as a transnational medium. interpreting the development of latest social and political relatives within the wake of the U.S.’ Nineteen Thirties strong Neighbor coverage, Acoustic Properties demanding situations common narratives of hemispheric impact via new readings of Richard Wright’s cinematic paintings in Argentina, Severo Sarduy’s radio performs in France, and novels via John Dos Passos, Manuel Puig, Raymond Chandler, and Carson McCullers. along those writers, the ebook additionally explores Che Guevara and Fidel Castro’s Radio Rebelde, FDR’s hearth chats, Félix Caignet’s invention of the radionovela in Cuba, Evita Perón’s populist melodramas in Argentina, Orson Welles’s experimental New Deal radio, Cuban and U.S. “radio wars,” and the Sixties African American activist Robert F. Williams’s proto–black energy Radio unfastened Dixie.
From the doldrums of the nice melancholy to the tumult of the Cuban Revolution, Acoustic Properties illuminates how novelists within the radio age switched over writing right into a perform of listening, reworking realism as they struggled to channel and form well known power.
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Additional info for Acoustic Properties: Radio, Narrative, and the New Neighborhood of the Americas (FlashPoints)
Acoustic Properties: Radio, Narrative, and the New Neighborhood of the Americas (FlashPoints) by Tom McEnaney